Itamar Freed & Kristina Chan
Itamar Freed & Kristina Chan
Pinholes 4, 2023
30 x 30 cm (11 3/4 x 11 3/4 in.)
Pinholes 4, 2023
30 x 30 cm (11 3/4 x 11 3/4 in.)
Itamar Freed & Kristina Chan
Pinholes 5, 2023
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Pinholes 5, 2023
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Itamar Freed & Kristina Chan
Pinholes 6, 2023
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 3/4 in.)
Pinholes 6, 2023
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 3/4 in.)
Itamar Freed & Kristina Chan
Another time, 2022
Multimedia: Lithographic mono print with stencilling
70 x 70 cm (27 1/2 x 27 1/2 in.)
Another time, 2022
Multimedia: Lithographic mono print with stencilling
70 x 70 cm (27 1/2 x 27 1/2 in.)
Itamar Freed & Kristina Chan
Blue Tigers, 2022
C-type print on archival paper
155 x 186.8 cm (61 x 73 1/2 in.)
Blue Tigers, 2022
C-type print on archival paper
155 x 186.8 cm (61 x 73 1/2 in.)
Itamar Freed & Kristina Chan
Far North, 2022
Pigment print on archival Japanese paper
165 x 110 cm (65 x 43 1/4 in.)
Far North, 2022
Pigment print on archival Japanese paper
165 x 110 cm (65 x 43 1/4 in.)
Itamar Freed & Kristina Chan
Far South, 2022
Pigment print on archival Japanese paper
165 x 110 cm (65 x 43 1/4 in.)
Far South, 2022
Pigment print on archival Japanese paper
165 x 110 cm (65 x 43 1/4 in.)
Itamar Freed & Kristina Chan
Gradient Tree, 2022
Pigment print on archival Japanese paper
150 x 100 cm (59 x 39 1/4 in.)
Gradient Tree, 2022
Pigment print on archival Japanese paper
150 x 100 cm (59 x 39 1/4 in.)
Itamar Freed & Kristina Chan
Here, 2022
Pigment print on archival Japanese paper
120 x 80 cm (47 1/8 x 31 3/8 in.)
Here, 2022
Pigment print on archival Japanese paper
120 x 80 cm (47 1/8 x 31 3/8 in.)
Itamar Freed & Kristina Chan
Horse 1, 2022
Multimedia: Lithographic mono print with stencilling
195.4 x 207.6 cm (76 7/8 x 81 5/8 in.)
Horse 1, 2022
Multimedia: Lithographic mono print with stencilling
195.4 x 207.6 cm (76 7/8 x 81 5/8 in.)
Itamar Freed & Kristina Chan
Horse 2, 2022
Multimedia: Lithographic mono print with stencilling
195.4 x 207.6 cm (76 7/8 x 81 5/8 in.)
Horse 2, 2022
Multimedia: Lithographic mono print with stencilling
195.4 x 207.6 cm (76 7/8 x 81 5/8 in.)
Itamar Freed & Kristina Chan
There, 2022
Pigment print on archival Japanese paper
120 x 80 cm (47 1/8 x 31 3/8 in.)
There, 2022
Pigment print on archival Japanese paper
120 x 80 cm (47 1/8 x 31 3/8 in.)
Itamar Freed & Kristina Chan
Wild Almond, 2022
Multimedia: Lithographic mono print with stencilling
100 x 67 cm (39 1/4 x 26 3/8 in.)
Wild Almond, 2022
Multimedia: Lithographic mono print with stencilling
100 x 67 cm (39 1/4 x 26 3/8 in.)
Itamar Freed & Kristina Chan
Pinholes, 2021
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Pinholes, 2021
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Itamar Freed & Kristina Chan
Pinholes 2, 2021
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Pinholes 2, 2021
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Itamar Freed & Kristina Chan
Pinholes 3, 2021
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Pinholes 3, 2021
Cyanotype on Tosa Wasa handmade Japanese paper
30 x 30 cm (11 3/4 x 11 3/4 in.)
Itamar Freed & Kristina Chan
Aloe Vera I, 2019
Cyanotype on Tosa Wasa handmade Japanese paper
60 x 70 cm (23 1/2 x 27 1/2 in.)
Aloe Vera I, 2019
Cyanotype on Tosa Wasa handmade Japanese paper
60 x 70 cm (23 1/2 x 27 1/2 in.)
Itamar Freed & Kristina Chan
Aloe Vera II, 2019
Cyanotype on Tosa Wasa handmade Japanese paper
60 x 70 cm (23 1/2 x 27 1/2 in.)
Aloe Vera II, 2019
Cyanotype on Tosa Wasa handmade Japanese paper
60 x 70 cm (23 1/2 x 27 1/2 in.)
Itamar Freed & Kristina Chan
Barred Owl, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
110 x 110 cm (43 1/4 x 43 1/4 in.)
Barred Owl, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
110 x 110 cm (43 1/4 x 43 1/4 in.)
Itamar Freed & Kristina Chan
Cypress Tree II, 2019
Etching with chine colle on Zerkyl Natural
63 x 47 cm (24 3/4 x 18 1/2 in.)
Cypress Tree II, 2019
Etching with chine colle on Zerkyl Natural
63 x 47 cm (24 3/4 x 18 1/2 in.)
Itamar Freed & Kristina Chan
Cypress Tree III, 2019
Etching with chine colle on Zerkyl Natural
63 x 47 cm (24 3/4 x 18 1/2 in.)
Cypress Tree III, 2019
Etching with chine colle on Zerkyl Natural
63 x 47 cm (24 3/4 x 18 1/2 in.)
Itamar Freed & Kristina Chan
Cypress Tree1, 2019
Etching with chine colle on Zerkyl Natural
63 x 47 cm (24 3/4 x 18 1/2 in.)
Cypress Tree1, 2019
Etching with chine colle on Zerkyl Natural
63 x 47 cm (24 3/4 x 18 1/2 in.)
Itamar Freed & Kristina Chan
Dream in Blue, 2019
Cyanotype on Tosa Wasa handmade Japanese paper
78 x 58 cm (30 5/8 x 22 3/4 in.)
Dream in Blue, 2019
Cyanotype on Tosa Wasa handmade Japanese paper
78 x 58 cm (30 5/8 x 22 3/4 in.)
Itamar Freed & Kristina Chan
Oh Deer, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
137 x 90 cm (53 7/8 x 35 3/8 in.)
Oh Deer, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
137 x 90 cm (53 7/8 x 35 3/8 in.)
Itamar Freed & Kristina Chan
Orange Tree, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
110 x 133 cm (43 1/4 x 52 1/4 in.)
Orange Tree, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
110 x 133 cm (43 1/4 x 52 1/4 in.)
Itamar Freed & Kristina Chan
Peacock, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
175 x 110 cm (68 7/8 x 43 1/4 in.)
Peacock, 2019
Photography, inkjet pigment print on archival Kozo Japanese paper
175 x 110 cm (68 7/8 x 43 1/4 in.)
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Shvil Hamifal 3, Kiryat Hamelacha Tel-Aviv, 64238
+972 3 7163897
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